Every pain is a new day. It washes itself in Lethe and comes to me in twilight wearing the clothes of yesterday. Like a baby, it falls into my arms, wraps its hand around my finger and squeezes it until white starts to show. And I…ah…I squirm like a boy because I can’t father it. And yet, peace is with me; in the way it drools, twitches and turns, in how its eyes never look at the same things I do because it has no notion of betrayal or death. It will never question my arms. It looks at me and for a vicarious moment, the world becomes my oyster. I sigh, reassured.
This piece is about how pain feels new every time. It’s so easy for me to find security in this self-destructive low that I’m going through by devaluing life and finding peace in not caring about my existence here.
This is so because it brings me down to a place where all the lights go out and I’m allowed to be truly myself, or rather forced to be so. My pain gives me the luxury of not caring about anything else. I don’t have to worry about what people are going to think of me if I am who I really am because life’s not that great anyway. And in facilitating this perspective, the dark thoughts become my greatest ally as an artist.
This piece is basically about how I’m like the father before I allow myself to feel the pain and how I turn into the baby after I do. And I always choose to feel. Because just like a baby inspires a father through an effortless expression of near-perfect isolation from all that is so wrong about this world, my painful self like a babe in “yesterday’s clothes” reminds me that if I allow myself to feel pain, I can get to a place where I only need to be seen and not complimented, where I can be myself without worrying about what other people are going to think. It enhances the need to express and brings out the artist in me. It gives me purpose and peace. That’s why I never hold back. I feel it all.
Pain/ my painful self will torture me, make me create things that are honest to my experience, and then it bathes in Lethe and forgets all about what it did to me. The creation of art is where that baptism takes place. That’s what puts the face of a babe on pain. I’ve always said that the art I make does not necessarily heal me, that it solely arises out of a necessity to express. Maybe it does heal. Maybe it’s just that I go through the cycle way too fast. This could be because of many reasons. Like how little rational thought is involved in these escapades down rabbit holes that lead straight into hell or the abundance of new associations and pathways that I create every day, new ways to get to the same bottomless pit. Same liver, new eagles.